Sunday, June 23, 2013

Starbucks raising some U.S. cafe drink prices

NEW YORK (Reuters) - Starbucks Corp will increase the price of some of its beverages in U.S. company-operated cafes by as much as 10 cents, the first price change in up to two years, a spokeswoman said on Friday.

The price hike will be effective June 25, Starbucks spokeswoman Lisa Passe said.

"Less than a third of beverages will be affected by the price increases," Passe said. "In most stores, the price of a Grande or Venti brewed coffee, as well as Frappuccino and Refreshers, will remain the same."

Nationally, the average beverage purchase price increase will be about 1 percent, she said.

The most a tall brewed coffee will increase by is 10 cents, while some markets will not see any increase in brewed coffee, she said.

Green arabica coffee prices dropped to a four-year low on the ICE Futures U.S. market at $1.1710 per lb on Thursday.

Coffee commodity costs make up less than 10 percent of Starbucks' overall store operating and occupancy expenses, Passe said.

(Reporting by Marcy Nicholson; Editing by Gerald E. McCormick)

Source: http://news.yahoo.com/starbucks-raising-u-cafe-drink-prices-212307929.html

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Saturday, June 22, 2013

Jon Stewart in Cairo isn't just about laughs

American comedian Jon Stewart sat down with Bassem Youssef, the host of Egypt's most popular satire show, last night, swapping jokes but also concern about free speech in Egypt.

By Louisa Loveluck,?Contributor / June 22, 2013

American comedian Jon Stewart appeared on Egypt's most popular satire show on Friday.

AP Photo

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Egyptian and American political satire met head on last night, as US comedian Jon Stewart appeared on Egypt?s most popular comedy show, hosted by Bassem Youssef, to discuss freedom of speech and the power of satire in a fledgeling democratic context.

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Youssef?s weekly show, El Bernameg, is modeled on Stewart?s The Daily Show. Attracting an estimated 30 million viewers across the Middle East, the 39-year old Egyptian uses his wry brand of humor to heavily criticize the government of Islamist President Mohamed Morsi.

In last night?s episode, Stewart was bundled on stage wearing a black hood and introduced to the audience as a captured foreign spy, a tongue-in-cheek reference to frequent claims by the Egyptian government that agents of western governments are destabilizing the country.

The American met with cheers as he addressed the crowd in rehearsed Arabic, saying ?please sit down, I am a simple man who does not like to be fussed over.?

Stewart?s three-day visit to Cairo comes as he takes a summer break from his famous comedy newscast, The Daily Show. He is in the Middle East to work on his first film, which is based on the memoir of Iranian journalist Maziar Bahari.

During the interview, Youssef and Stewart touched on a range of topics, from the American?s battles with Fox News to Cairene traffic problems.

But the clearest message came when Stewart praised his Egyptian counterpart for using humor to challenge state authority. He said Youssef?s success shows that ?satire can still be relevant, that it can carve out a space in the country for people to express themselves.?

Although the two comedians attract regular comparisons - the international media fondly refers to Youssef as ?Egypt?s Jon Stewart? - many see the analogy as misguided. Their jokes are cracked in very different political contexts and unlike El Bernameg, The Daily Show has never faced investigation by the state.

Youssef himself argued as much in an interview earlier this year. ?I love Jon Stewart, and I will never shy away from the fact that he is a role-model,? he told the Guardian. ?But the show is different in so many ways; we are at a different stage in building our country. Stewart is in a much more stable environment, a much more established democracy."

Youssef?s rise to fame and the focus of state investigation is an allegory for Egypt?s political progress since its 2011 revolution. The former heart surgeon volunteered in makeshift medical centers during the uprising, before using the country?s apparent new freedoms to upload his own videos to YouTube, poking fun at the country?s political leaders.

Today, the satirist's hit television show has drawn over 30 million viewers and he was included in Time Magazine's 2013 list of the world's most influential people. His entry was penned by Stewart, who described the Egyptian as his hero.

But this surge in attention has been accompanied by the more unwelcome gaze of Egypt?s authorities. In April, Youssef was interrogated for allegedly insulting Islam and President Mohamed Morsi. His arrest came amid a wider crackdown on media figures and opposition activists, drawing international condemnation.

Stewart used last night?s interview to send a message to Egypt?s authorities, telling the audience: ?If your regime is not strong enough to handle a joke, then you don?t have a regime.?

?A joke has never ridden a motorcycle into a crowd with a baton. A joke has never shot tear gas through a group of people in the park,? he said, in a thinly veiled reference to Egyptian government crackdowns on street protests.

Source: http://rss.csmonitor.com/~r/feeds/csm/~3/lr5Gk0Hw9IY/Jon-Stewart-in-Cairo-isn-t-just-about-laughs

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Analysis: Palestinian leader faces stark choices

RAMALLAH, West Bank (AP) ? Palestinian President Mahmoud Abbas is being propelled toward a stark choice that could come as soon as next week, define his legacy and set the course for his people in a decades-old conflict with Israel.

Abbas' aides fear he's being pushed by the U.S. into dropping his conditions for negotiating with Israeli Prime Minister Benjamin Netanyahu. That includes a stop in Israeli settlement construction or acceptance that the basis of a future border is Israel's frontier before it captured the West Bank, Gaza and east Jerusalem in a 1967 war.

U.S. Secretary of State John Kerry is returning next week for meetings with Abbas and Netanyahu, his fifth since taking office this year. It's not clear if he'll present U.S. ground rules for negotiation at that time. The sense in Palestinian leadership circles is that there is no significant pressure on Netanyahu to adopt the framework for talks accepted by his predecessor and that a high-stakes choice cannot be delayed much longer.

At the heart of the Palestinian dilemma is that despite the American eagerness for talks and their own desire to end Israel's 46-year-old occupation, they have low expectations of negotiations with Netanyahu. Most Palestinians consider the Israeli leader a hard-line ideologue who intends to drag out the process and never agree to anything close to terms they could live with.

Israel's current leaders "never believed in the two-state solution ... and will do everything on the ground to make it impossible to achieve," said Abbas aide Nabil Shaath, a veteran negotiator with Israel.

Public opinion complicates the situation: Fifty-six percent of Palestinians oppose a return to talks under Israel's terms, said Palestinian pollster Khalil Shikaki, citing results from a yet-to-be-published survey. Shikaki's polls are based on more than 1,200 respondents, with an error margin of 3 percentage points.

Signaling the apprehension, top Abbas aides are already working on a day-after strategy for fighting attempts to hold Abbas responsible for a failure of the U.S. initiative. And a top think tank in the West Bank has run through a dozen scenarios in the aftermath of an inadvertent collapse of the Palestinian Authority, Abbas' self-rule government, which some consider possible if the status quo continues.

Netanyahu has said he supports the idea of Palestinian statehood, but stripped of east Jerusalem and key areas of the West Bank, and with a series of restrictions ? parameters the Palestinians reject and which fall far short of previous Israeli proposals under Netanyahu's predecessors.

Kerry's peace proposal is expected to include financial aid to the Palestinians, security guarantees to Israel and assurances to the Palestinians that talks will be substantive.

There were hints this week that Abbas won't budge. The president's office said members of his Fatah movement urged him not to succumb to pressure. In that meeting, Fatah also prepared for damage control, naming four senior members to devise a plan to deflect expected international blame for saying "no" to Kerry.

International Mideast envoy Tony Blair warned this week that if Kerry's mission fails, the window of opportunity for a deal "could close forever."

Such warnings have been sounded repeatedly over 20 years of intermittent negotiations, but there's a growing sense that the door may really be closing.

U.S. mediation is key to success, but presidents from Bill Clinton to George W. Bush and now Barack Obama have held off any serious push until their second terms, when they were less concerned about re-election. If Kerry fails, the next opportunity might only come around in eight years.

By that time, a partition of the land may no longer be possible. Nearly 600,000 Israelis already live in the West Bank and east Jerusalem, and Netanyahu has refused to stop building. Instead, there's been a record number of housing starts in settlements this year and thousands more apartments are in the pipeline, some deep in the West Bank.

The issue is deeply controversial in Israel itself, where Netanyahu critics believe partition is essential for Israel's own survival, because without it Jews will not for long be a majority in the areas Israel controls.

Last month, a group of mid-level Fatah activists, disillusioned after two decades of failed negotiations, urged Abbas to pursue a single state for Israelis and Palestinians between the Mediterranean and the Jordan River ? essentially asking Israel to annex war-won lands. Israel withdrew troops and settlers from Gaza in 2005, but Palestinians consider it still occupied because Israel controls access.

Palestinians must start pushing for equal rights in such a state, said Radi Jerayi, an ex- Fatah official.

Abbas has warned Israelis they might end up with a bi-national state ? but that's been meant scare them into serious negotiations.

The single state idea hasn't caught on, largely because it runs counter to nationalism on both sides. Even with the lure of equal rights within the entirety of historical Palestine, only 30 percent of Palestinians would prefer that option, Shikaki said.

For Abbas, dropping the two-state option would mean conceding defeat to his nemesis, the Islamic militant Hamas, which seized Gaza from him in 2007, dismisses negotiations as foolish and wants to swallow up Israel in an Islamic state.

The Palestinians have said that without negotiations they would move against Israel at the U.N. Last year, the General Assembly recognized a state of Palestine in the 1967 lines, overriding U.S. and Israeli objections and giving the Palestinians a largely symbolic victory.

Earlier this month, Abbas aide Saeb Erekat said the Palestinians might pursue war crimes charges at the International Criminal Court, in connection with settlement building, if negotiations don't resume.

Going to the ICC is Abbas' most popular option, even if Israel and the U.S. Congress retaliate by cutting funding to the Palestinian Authority, Shikaki said.

"Almost three-quarters (of respondents) say, go to the ICC, regardless of what happens, even if it leads to the collapse of the Palestinian Authority," Shikaki said. "It is one way they can shake the status quo, which they reject."

The self-rule government, which feeds hundreds of thousands of Palestinians as the largest employer in the West Bank, would find it hard to survive without foreign aid and millions of dollars in taxes Israel collects for the Palestinians every month.

Shikaki's think tank, the Palestinian Center for Policy and Survey Research, recently hosted a dozen workshops with experts to look at the aftermath of a collapse of the self-rule government. Participants predicted tremendous poverty, mass emigration, chaos and a return to the gang rule of the previous decade.

Yet they also noted an upside, Shikaki said: "This then becomes an Israeli problem."

___

Laub, chief correspondent for the Palestinian territories, has covered the Israeli-Palestinian conflict since 1987. Daraghmeh, based in Ramallah, has covered the West Bank since 1996.

Source: http://news.yahoo.com/analysis-palestinian-leader-faces-stark-choices-065820971.html

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Writing and Creativity at Malvern Collegiate: An Interview with ...

This spring, students from John Ouzas's Writer's Craft class at Malvern Collegiate Institute conducted interviews with Canadian poets as part of a class project, "The Great Canadian Writer's Craft." Throughout June, we're posting the interviews on Open Book's The Great Canadian Writer's Craft page. The students spend considerable time researching the poets' work and creating the interviews, and the effort put into the project is apparent. The interviews are smart, thoughtful and engaging.

We wanted to know more about Mr. Ouzas's remarkable class, and we were fortunate to have the opportunity to speak with Grade 12 student Shannon Wood. Shannon spoke with us about class projects, critiquing and being critiqued by fellow students, selecting the poet she wanted to interview (she interviewed angela rawlings, author of Wide Slumber for Lepidopterists) and her future plans. Thanks, Shannon!

Open Book:

What made you decide to sign up for the Writer?s Craft class?

Shannon?Wood:

To properly answer this question, I will have to refer to my past a little. When I was in elementary school I was completely convinced that I wanted to become a journalist. I spent a considerable amount of my time reading about and researching my future career, and I even had the opportunity to write a film review of Harry Potter and the Goblet of Fire, which was published by The Gate magazine. I always enjoyed my English classes. I loved to read, and I found solace and strength in writing. When I began my journey through high school, I had less time to enjoy writing. English classes became focused on the technicalities of writing, critical essays and other skills we would need for a higher education. I do believe that learning to write well is a necessity, but it left few options for those with creative minds to explore and refine their talents. Since exposure was limited, I found myself less concerned with writing. I explored different subjects, mainly the sciences, and I found myself switching between career ideas every week. ?One day I wanted to be a chiropractor, the next I wanted to be a makeup artist. I felt as though I had no direction. When I saw that the writer?s craft course was being offered at my school, a multitude of thoughts swirled around my head. I knew I would be able to do well in the course, but I was worried it might be too time consuming. The deciding factor in my decision was the realization that I had not written anything outside of class since I graduated middle school. I wanted a reminder of why I liked writing so much and how much I really missed it. Taking the course has been one of the best decisions of my high school career. It would have been the best if I was not taking the required English course simultaneously. The work load has been nothing short of exhausting. If nothing else, I am extremely thrilled that I have remembered that I am a strong writer. When I am having trouble with other subjects in school, attending my writer?s craft class is thoroughly enjoyable. I always leave with new thoughts and ideas.

OB:

We?d love to hear about the assignments you are given in the class. Can you give us an example or two?

SW:

For every section we completed in the course (syntax, poetry, short fiction, narrative essay, etc.) we had?"work diaries" assigned. These are small assignments or reflection pieces that we completed on our own. At the end of each section, we had a large assignment which enveloped all the lessons in the section. Our class is very workshopped-based, so much of our lesson time was spent sharing our work and our ideas. Our most recent assignment was to compare the lives of two canonical poets. We had to read poetry written by both poets and biographies about them. I thought my poets Thomas Wyatt and William Blake were very different to start, but there ended up being more similarities between them than I realized. Though they lived in very different circumstances, they both were in the midst of a religious or a literary revolution. It was interesting to see how each poet handled their respective problems. We analyzed our poet?s poems, and we even created a poem for a word used in a piece of their poetry. It was a task that encompassed nearly all of the lessons we touched on in class. It was a great final project.

The topics of our work diaries can vary, but one of my favourites has been the Harper?s Index of a Character diary. We had to make our own lives, or the life of a character in our short story unit, quantifiable.?I decided to make the quantities about my life somewhat humourous. Here is an excerpt:
?
Number of days until I can vote ? 96
Number of days until I realize my vote doesn?t matter ? 96
Number of days until I can drown my sorrows about my vote with alcoholic beverages ? 462
Number of seconds it took me to figure out I added 96 + 365 wrong ? 7
?

Estimated grade on my next math test ? 21 percent
?

From there we had to explain the concept of using numbers to define or learn more about a person. It was a fascinating exercise. I?ve never really thought about how we use numbers to separate ourselves from each other. What I like about the work diaries, and this one in particular, was how we taught ourselves. I wasn?t just responding to the prompt Mr. Ouzas gave us; I was exploring my thoughts about the subject within the piece I was writing. It made me relate to different assignments, different projects and different characters. That?s what I really like about the work diaries; you are allowed to bring out more of yourself within a free (yet directed) environment.

OB:

Do the students critique each other?s work, and if so, is the experience beneficial to your writing?

SW:

I would say that critiquing my fellow students' work makes up a good 50 percent of the course! I may be exaggerating a little, but we do spend a lot of our time looking at each other's work. It is vital to learn how to give feedback and how to receive it. Having my peers offer criticism has been a huge stepping stone for me this year. I find it slightly terrifying to let others see my unfinished/incomprehensible piece. I tend to be very defensive, so I get upset when I am told something is not interesting or isn?t working well in a piece. A learning curve for me this year was realizing that I am not alone in this fear.

Though we utilize the time we have in class for lessons and workshopping, much of our feedback and critiquing is done on our class blog. I think the blog is an excellent place for feedback. I have found that I am reluctant to give feedback in class in fear of hurting someone?s feelings (and vice versa). When we post our pieces on the blog, we can read and consider feedback without the emotional element attached. The best part about it is that anyone can comment on your work. In class we usually speak with one person about our work. On the blog we can have anyone in the class commenting on our work. This gives us a more diverse opinion and a way to connect with someone you wouldn?t necessarily speak to in class.

OB:

How did you decide which poet to interview for your class assignment? How did you prepare for the interview?

SW:

Before the selection of the poets began, Mr. Ouzas and Gary Barwin picked out poets that they thought would interest us. If I recall correctly I was given Jason Christie, Angela Szczepaniak, and angela rawlings. Picking the poet was simple; I picked the book that confused me the most. I read through a ton of books in the classes we were supposed to pick a poet. I didn?t read angela?s book until the very last moment because I couldn?t find it anywhere in my classroom. Fortunately a ?classmate who was looking at angela?s book came across the room, handed it to me and told me to read it. Browsing through it in the five minutes I had left in class, I realized that I didn?t want to put it down. After I left class I immediately began google searching angela and Wide Slumber for Lepidopterists. I knew that she was the poet I wanted after reading through a variety of interviews with her. I actually caught myself unconsciously planning my own interview with angela. I put angela?s name on the blog and that was it. I was completely sold from the five minutes I spent in class with her book. I knew it was going to be great. I was completely absorbed by the book, and I had only scratched the surface.

There was a lot of research involved in preparing for the interview. We had to read as much of the work published by and about the author as we could. We also had had to read previous interviews to make sure that ours did not overlap. I?m sure interviewers have to do that regularly, but it was quite the experience for us. The added pressure of the fact that the interviews were to be published made me work even harder. ?I wanted to make sure that my questions were the best I could offer. After sending them in, I crossed my fingers in hope that angela would like them. It was a very riveting moment.

OB:

For you, what was the highlight of the Writer?s Craft class?

SW:

Without a doubt, this project was the highlight of my high school career. I?ve never been so proud of anything I?ve done in school. This was a real learning experience, and it took me way out of my comfort zone. The project taught us things that we cannot learn in a classroom. We learned about the realistic side of publishing; the demands of editors, the expectations of critics and those we interviewed, and the pressures we put on ourselves to succeed. We couldn?t fall back on ourselves as doing so would let down those waiting for the interview. The last thing I ever wanted to do was disappoint angela. I have spoken to writer?s craft students in other schools who were very envious of the opportunity we received. This project is very important to all of us. I got to know my classmates even better because of it. Together we shared something very special. It was a great opportunity for us all and an even greater opportunity for those continuing their writing careers.

OB:

You?re in your final year of high school. What are your plans once you graduate?

SW:

If I only knew! The only thing I know for certain is that I will be attending the University of Ottawa in the fall for a general arts degree. I?m hoping to find some inspiration for a future career along the way. If at all possible, I would like it to involve writing. After I graduate, I would love to move to New Zealand for a year or two to visit family and take some environmental courses. For now, I will continue writing on my blog and attempting to survive in the hectic workplace of my local grocery store.

Shannon?Wood?was raised by ninja tigers in the remote jungles of southern China. Even though they tried to teach her their ways, she is about as coordinated as a rollerblading giraffe. She comes from a long line of writers and readers, and plans on continuing the tradition. She is interested in cosmetics, voice acting, poetry, Marvel comics, YouTube, clothes, philosophy, video games and anime conventions. When she is not saving the world from evil space pirates led by her arch-nemesis Liam, you could find her in her backyard writing on her laptop or attempting to play basketball. She plans on attending the University of Ottawa in the fall where she hopes to find some sort of direction to head in. If not then she plans on living in New Zealand with a flock of blue penguins and albatrosses.

Go to the CBC website to hear Shannon Wood and angela rawlings talk about The Great Canadian Writer's Craft project to Matt Galloway on Metro Morning.

Source: http://www.openbooktoronto.com/clelia/blog/writing_and_creativity_malvern_collegiate_interview_with_shannon_wood

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Thursday, June 20, 2013

Fighting climate change with nuclear energy

Nuclear power is currently the only carbon-free energy source that can provide base load electricity, Stepp writes, a characteristic crucial to reducing global greenhouse gas emissions and fighting climate change.?Next-generation nuclear energy offers even more productive strategies for reducing carbon emissions.

By Matthew Stepp,?Guest blogger / June 18, 2013

Steam rises from the cooling towers of nuclear reactors at Plant Vogtle, in Waynesboro, Ga. Like renewable energy the critical barriers to large-scale nuclear deployment are cost and uncertainty, Stepp writes.

Mary Ann Chastain/AP/File

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In the last week, two news stories really captured the potential future for nuclear energy. The?New York Times?Matthew Wald reported from Georgia, where construction crews are slowly?building?the first two new nuclear reactors in thirty years. And?National Geographic?s?Will Ferguson reported from Tennessee that engineers and scientists are taking core samples and mapping regional geology as part of the early?planning?stages of building the first small modular nuclear reactor in the world. Both projects face unique challenges, yet they both represent the beginning of two potential nuclear paths for reducing climate-warming carbon emissions in the United States (and potentially the world).

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Our mission is to provide clear, objective information about the important energy issues facing the world, address and correct misconceptions, and to actively engage readers and exchange ideas.?For more great energy coverage, visit?Energy Trends Insider.

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Big-Box Nuclear Energy Innovation in Georgia

The nuclear generators we are all familiar with is physically recognized by large, curved cooling towers and billowing white steam, and pragmatically recognized as a significant source of?carbon-free?electricity. Big-box nuclear reactors across the United States?provide?about 19 percent of all electricity.

But for thirty years, the nuclear energy industry has remained stagnant. Due to a mix of factors including more stringent regulation, rising construction costs, falling fossil fuel prices, and the Three Mile Island meltdown, no new nuclear power plants were developed. That changed in 2009, when the Department of Energy provided an $8.3 billion loan guarantee for the Alvin Vogtle nuclear project, aimed at constructing two new reactors. In 2012, the Nuclear Regulatory Commission (NRC) gave its approval and construction began. Vogtle, along with the two reactors under?construction?at the Virgil Summer Nuclear Generating Station in South Carolina, represent the ?next-generation? of large-scale, traditional nuclear power.?

US futures waver in light trading

NEW YORK (AP) ? U.S. stock futures are mixed in light trading with investors holding back before the Federal Reserve reveals its stance on the economy.

Markets have swung wildly for weeks leading up to the two-day meeting, which ends Wednesday.

Dow Jones industrial futures are down 14 points to 15,230. The broader S&P futures have fallen less than a point to 1,644.40. Nasdaq futures are up 2.75 points to 2,991.25.

Economic indicators are painting an image of an economy on the mend, though still fragile.

It's been uncertainty about how the Fed reads those signals, and whether it will maintain its aggressive economic stimulus efforts.

If the answer is no, the question then becomes how fast it will dismantle a massive bond-buying program that has kept markets flush with cash, and interest rates low.

Source: http://news.yahoo.com/us-futures-waver-light-trading-121023962.html

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Interpreter rapidly signs to Wu-Tang rappers

9 hours ago

If you've ever had trouble keeping up with rapid fire hip-hop lyrics, especially those of the multi-member group Wu-Tang Clan, well, try singing along with your hands.

A new viral video featured on the website Now This News shows Wu-Tang performing at the Bonnaroo Music and Arts Festival in Tennessee last Friday. Just below the stage is an American Sign Language interpreter identified as Holly, rapidly rapping along in the 25-second clip.

Holly does an excellent job of keeping up with at least eight guys on stage with mics, and puts more effort into feeling the beat than any of them.

Now This News also points to this awesome Vine of Holly doing her thing for R. Kelly, also at Bonnaroo.

The viral goodness of it all is reminiscent of the popularity of Lydia Callis, the interpreter for New York City Mayor Michael Bloomberg. Callis rose to fame because of her work during news conferences in the midst of Hurricane Sandy last fall.

And a college student named Anna scored almost 4 million YouTube views with her interpretation of Cee Lo Green's popular (and profane) hit "F--- You" from a couple years ago during a final for a sign language class she was taking.

Source: http://www.nbcnews.com/entertainment/sign-language-interpreter-rapidly-raps-her-hands-wu-tang-clan-6C10382052

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